Do the world’s most portrayed literary characters require yet another stage production – let alone four? You be the judge.

Each play skillfully stands on its own merit. Combined, they relate how two men meet as indifferent young men who survive losses, celebrate successes, and eventually become literature’s most enduring partners against crime through the bond of friendship.

Written to be produced with a modicum of scenery and props, each mystery relies upon the audience’s imagination and the talent of a small company of repertory actors spinning the stories seemingly out of thin air.

Audiences have been left spellbound by these productions, which bring to life the world of Holmes and Watson precisely as every reader imagined. I hope you and your audience will be impressed as well.

A Study In Scarlet

The year is 1881.  A man lies dead in an empty house, not a mark upon him and no clues – save for the word RACHE scrawled in blood on the wall above.  Elsewhere, two young men – a former army doctor and a brilliant eccentric – meet for the first time in this theatrical adaptation of the first Sherlock Holmes novel.

The Sign of Four

The year is 1888.  The strange disappearance of her father, a mysterious note, and the annual delivery of valuable pearls, brings a young woman in search of the world’s only consulting detective in this theatrical adaptation of the second Sherlock Holmes novel.

The Hound of the Baskervilles

The year is 1891.  As Watson investigates the curse of a supernatural beast out on the moors, Holmes confronts demons of his own back home in London in this theatrical adaptation of the third Sherlock Holmes novel.

The Valley of Fear

The year is 1895. Summoned by a coded message, the great detective finds that he and his faithful friend are too late, that Scotland Yard is stumped, and that Moriarty is behind it all. Can Holmes escape the final problem?

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